Mylod doles out cliche after cliche - drinks and debauchery in clubs, waking up with Mr Wrong - but never injects enough warmth or humor into proceedings to keep them fresh.

~ David Graham -

Mylod doles out cliche after cliche - drinks and debauchery in clubs, waking up with Mr Wrong - but never injects enough warmth or humor into proceedings to keep them fresh.

~ David Graham -

Kosar avoids nudgeable one-liners, keeping the script as far as possible in the realm of probability.

~ Angus Wolfe Murray -

Kosar avoids nudgeable one-liners, keeping the script as far as possible in the realm of probability.

~ Angus Wolfe Murray -

Hot girls aren’t always secure. Sometimes they need an ordinary guy, one they feel safe with. Yeah, right.

~ Val Kermode -

Hot girls aren’t always secure. Sometimes they need an ordinary guy, one they feel safe with. Yeah, right.

~ Val Kermode -

Aniston... spends much of the picture grimacing and stroking her stomach, rather as if she is about to be ill. Perhaps this is because she realised she was now contractually obligated to finish the picture.

~ Sarah Artt -

Aniston... spends much of the picture grimacing and stroking her stomach, rather as if she is about to be ill. Perhaps this is because she realised she was now contractually obligated to finish the picture.

~ Sarah Artt -

A handful of the passengers may eventually get out of the ship alive, but in this massive overhaul of The Poseidon Adventure (1972), nothing, it seems, can save them from Mark Protosevich's sinking script.

~ Anton Bitel -

A handful of the passengers may eventually get out of the ship alive, but in this massive overhaul of The Poseidon Adventure (1972), nothing, it seems, can save them from Mark Protosevich's sinking script.

~ Anton Bitel -

If you are willing to accept that this is an exploratory snapshot that seeks to confine itself to the times it is portraying and leave any consideration of modern-day echoes to the conscience of the viewer, this is a good story, well told.

~ Amber Wilkinson -

If you are willing to accept that this is an exploratory snapshot that seeks to confine itself to the times it is portraying and leave any consideration of modern-day echoes to the conscience of the viewer, this is a good story, well told.

~ Amber Wilkinson -

The pace moves quickly and splices together some good scares, gore and action.

~ Darren Amner -

The pace moves quickly and splices together some good scares, gore and action.

~ Darren Amner -

If you're looking for action, if you're looking for thrills, Cloverfield delivers.

~ Jennie Kermode -

If you're looking for action, if you're looking for thrills, Cloverfield delivers.

~ Jennie Kermode -

Palka’s touch is visible in the characters, who have a little more depth than is usual in such tales.

~ Jennie Kermode -

Palka’s touch is visible in the characters, who have a little more depth than is usual in such tales.

~ Jennie Kermode -

If you're going to build a story around a conversion, you really need to be able to relate to your character on both sides of that process.

~ Jennie Kermode -

If you're going to build a story around a conversion, you really need to be able to relate to your character on both sides of that process.

~ Jennie Kermode -

There's potential with no pay-off, desolation with little downslide.

~ Amber Wilkinson -

There's potential with no pay-off, desolation with little downslide.

~ Amber Wilkinson -